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HSC English First Paper English For Today Unit 3 Lesson 1

HSC English First Paper English For Today Unit 3 Lesson 1

āĻŦাংāĻ˛াāĻ° āĻĒৌāĻ°াāĻŖিāĻ• āĻ•াāĻšিāĻ¨ী

I have seen Bengal’s face

By Jibanananda Das


Because I have seen Bengal’s face I will seek no more, 
The world has not anything more beautiful to show me. 
Waking up in darkness, gazing at the fig-tree, I behold 
Dawn's swallows roosting under huge umbrella-like leaves. 
I look around me and discover a leafy dome, 
Jaam, Kanthal, Bat, Hijol and Aswatha trees all in a hush, 
Shadowing clumps of cactus and zedoary bushes. 
When long, long ago, Chand came in his honeycombed boat
To a blue Hijal, Bat Tamal shade near the Champa, he too sighted 
Bengal’s incomparable beauty. One day, alas, in the Ganguri, 
On a raft, as the waning moon sank on the river’s sandbanks, 
Behula too saw countless aswaths bats besides golden ricefields 
And heard the thrush’s soft song. One day, arriving in Amara, 
Where gods held court, when she danced like a desolate wagtail, 
Bengal’s rivers, fields, flowers, wailed like strings of bells on her feet.
Translation of Jibanananda Das's "Banglar Mukh Ami" by Fakrul Alam


āĻŦাংāĻ˛াāĻ° āĻŽুāĻ– āĻ†āĻŽি āĻĻেāĻ–িāĻ¯়াāĻ›ি

āĻœীāĻŦāĻ¨াāĻ¨āĻ¨্āĻĻ āĻĻাāĻ¸


āĻŦাংāĻ˛াāĻ° āĻŽুāĻ– āĻ†āĻŽি āĻĻেāĻ–িāĻ¯়াāĻ›ি, āĻ¤াāĻ‡ āĻ†āĻŽি āĻĒৃāĻĨিāĻŦীāĻ° āĻ°ূāĻĒ
āĻ–ুঁāĻœিāĻ¤ে āĻ¯াāĻ‡ āĻ¨া āĻ†āĻ° : āĻ…āĻ¨্āĻ§āĻ•াāĻ°ে āĻœেāĻ—ে āĻ‰āĻ ে āĻĄুāĻŽুāĻ°েāĻ° āĻ—াāĻ›ে
āĻšেāĻ¯়ে āĻĻেāĻ–ি āĻ›াāĻ¤াāĻ° āĻŽāĻ¤āĻ¨ āĻŦāĻĄ়ো āĻĒাāĻ¤াāĻŸিāĻ° āĻ¨িāĻšে āĻŦ'āĻ¸ে āĻ†āĻ›ে
āĻ­োāĻ°েāĻ° āĻĻোāĻ¯়েāĻ˛āĻĒাāĻ–ি-āĻšাāĻ°িāĻĻিāĻ•ে āĻšেāĻ¯়ে āĻĻেāĻ–ি āĻĒāĻ˛্āĻ˛āĻŦেāĻ° āĻ¸্āĻ¤ূāĻĒ
āĻœাāĻŽ-āĻŦāĻŸ-āĻ•াঁāĻ াāĻ˛েāĻ°-āĻšিāĻœāĻ˛েāĻ°-āĻ…āĻļāĻĨেāĻ° āĻ•'āĻ°ে āĻ†āĻ›ে āĻšুāĻĒ;
āĻĢāĻŖীāĻŽāĻ¨āĻ¸াāĻ° āĻোāĻĒে āĻļāĻŸিāĻŦāĻ¨ে āĻ¤াāĻšাāĻĻেāĻ° āĻ›াāĻ¯়া āĻĒāĻĄ়িāĻ¯়াāĻ›ে!
āĻŽāĻ§ুāĻ•āĻ° āĻĄিāĻ™া āĻĨেāĻ•ে āĻ¨া āĻœাāĻ¨ি āĻ¸ে āĻ•āĻŦে āĻšাঁāĻĻ āĻšāĻŽ্āĻĒাāĻ° āĻ•াāĻ›ে
āĻāĻŽāĻ¨āĻ‡ āĻšিāĻœāĻ˛-āĻŦāĻŸ-āĻ¤āĻŽাāĻ˛েāĻ° āĻ¨ীāĻ˛ āĻ›াāĻ¯়া āĻŦাংāĻ˛াāĻ° āĻ…āĻĒāĻ°ূāĻĒ āĻ°ূāĻĒ

āĻĻেāĻ–েāĻ›িāĻ˛ : āĻŦেāĻšুāĻ˛াāĻ“ āĻāĻ•āĻĻিāĻ¨ āĻ—াāĻ™ুāĻĄ়েāĻ° āĻœāĻ˛ে āĻ­েāĻ˛া āĻ¨িāĻ¯়ে-
āĻ•ৃāĻˇ্āĻŖা āĻĻ্āĻŦাāĻĻāĻļীāĻ° āĻœ্āĻ¯োā§ŽāĻ¸্āĻ¨া āĻ¯āĻ–āĻ¨ āĻŽāĻ°িāĻ¯়া āĻ—েāĻ›ে āĻ¨āĻĻীāĻ° āĻšāĻĄ়াāĻ¯়-
āĻ¸োāĻ¨াāĻ˛ি āĻ§াāĻ¨েāĻ° āĻĒাāĻļে āĻ…āĻ¸ংāĻ–্āĻ¯ āĻ…āĻļ্āĻŦāĻ¤্āĻĨ āĻŦāĻŸ āĻĻেāĻ–েāĻ›িāĻ˛, āĻšাāĻ¯়,
āĻļ্āĻ¯াāĻŽাāĻ° āĻ¨āĻ°āĻŽ āĻ—াāĻ¨ āĻļুāĻ¨েāĻ›িāĻ˛ো- āĻāĻ•āĻĻিāĻ¨ āĻ…āĻŽāĻ°াāĻ¯় āĻ—িāĻ¯়ে
āĻ›িāĻ¨্āĻ¨ āĻ–āĻž্āĻœāĻ¨াāĻ° āĻŽāĻ¤ো āĻ¯āĻ–āĻ¨ āĻ¸ে āĻ¨েāĻšেāĻ›িāĻ˛ো āĻ‡āĻ¨্āĻĻ্āĻ°েāĻ° āĻ¸āĻ­াāĻ¯়
āĻŦাংāĻ˛াāĻ° āĻ¨āĻĻী āĻŽাāĻ  āĻ­াঁāĻŸāĻĢুāĻ˛ āĻ˜ুāĻ™ুāĻ°েāĻ° āĻŽāĻ¤ো āĻ¤াāĻ° āĻ•েঁāĻĻেāĻ›িāĻ˛ āĻĒাāĻ¯়।

Myths of Bengal

Behula is a legendary folk heroine and one of the main characters of Manasamangal, a medieval epic. She was the daughter of Sayven of Ujaninagar. Lakhindar was the youngest son of Chand Saodagar of Champaknagar. Behula grew up to be a beautiful and intelligent woman and was married to Lakhindar. Chand Saodagar, a devotee of Shiva, had boasted that he was cleverer and stronger than Manasa, the snake goddess. He built an iron chamber for Lakhindar, believing it to be impregnable. However on the wedding night of Behula and Lakhindar, Manasa sent a snake to kill Lakhindar. The snake made itself as fine as a strand of hair and, entering the chamber through a minute hole, bit Lakhindar. 

Behula refused to accept her husband's death. She placed her husband's corpse on a banana raft and set out on a hazardous journey towards the abode of the gods. Despite all the dangers and temptations she encountered, Behula continued her journey and finally succeeded in reaching the abode of the gods. She pleaded for her husband's life and promised Manasa that Chand Saodagar would worship her. Moved by Behula's love for her husband, Manasa not only restored Lakhindar but also his brothers whom she had killed earlier. 

Behula returned home with her husband and brothers-in-law, and Chand Saodagar finally bowed before the might of Manasa. Lakhindar and Behula then returned to their heavenly abode as Aniruddha and Usa. 

Answer the following questions.  

(1) What did Behula plead when she succeeded in reaching the abode of the gods? What promise did she make to Manasa? 

Answer. Behula reached the abode of gods encountering much hardship and temptation When she reached there, she pleaded for her husband's life. She also made a promise to Manasa that Chand Saodagar would worship her.  

(2) What do you know about Chand Saodagar? What happened to his son, Lakhindar when he got married?  

Answer. Chand Saodagar lived in Champaknagar. He was a devotee of Shiva. He had boasted that he was cleverer and stronger than Manasa, the snake goddess. He built an iron chamber for Lakhindar, believing it to be impregnable. However on the wedding night of Behula and Lakhindar, Manasa sent a snake to kill Lakhindar. The snake entered the chamber through a minute hole and bit Lakhindar.  

(3) Who, according to the passage, is Behula?  
Answer. According to the passage, Behula is a legendary foik heroine and one of the main characters of Manasamangal, a medieval epic. She was the daughter of Sayven of Ujaninagar. When she grew up, she was married to Lakhindar, the youngest son of Chand Saodagar of Champaknagar. 

(4) What happened to Behula finally?  
Answer. Finally moved by Behula's love for her husband, Manasa not only restored Lakhindar but also his brothers whom she had killed earlier. Behula returned home with her husband and brothers-in-law. Afterwards, Lakhindar and Behula returned to their heavenly abode as Aniruddha and Usa. 

(5) What did Behula do when she found her husband dead?
Answer. A snake bit Behula's husband, Lakhindar on their wedding night. But when Behula found her husband dead, she refused to accept his death. She placed her husband's corpse on a banana raft and set out on a hazardous journey towards the abode of the gods.

āĻŦেāĻšুāĻ˛া āĻ˛āĻ•্āĻˇিāĻ¨্āĻĻāĻ°

āĻŦেāĻšুāĻ˛া āĻšāĻš্āĻ›ে āĻāĻ•āĻœāĻ¨ āĻĒৌāĻ°াāĻŖিāĻ• āĻ˛োāĻ•āĻ•āĻĨাāĻ° āĻ¨াāĻ¯়িāĻ•া āĻāĻŦং āĻŽāĻ§্āĻ¯āĻ¯ুāĻ—ীāĻ¯় āĻŽāĻ™্āĻ—āĻ˛েāĻ° āĻ…āĻ¨্āĻ¯āĻ¤āĻŽ āĻĒ্āĻ°āĻ§াāĻ¨ āĻšāĻ°িāĻ¤্āĻ°। āĻ¸ে āĻ‰āĻœাāĻ¨ীāĻ¨āĻ—āĻ°েāĻ° āĻ¸াāĻ¯়āĻŦেāĻ¨েāĻ° āĻ•āĻ¨্āĻ¯া। āĻ˛āĻ–িāĻ¨্āĻĻāĻ° āĻ›িāĻ˛েāĻ¨ āĻšāĻŽ্āĻĒāĻ•āĻ¨āĻ—āĻ°েāĻ° āĻšাঁāĻĻ āĻ¸āĻ“āĻĻাāĻ—āĻ°েāĻ° āĻ•āĻ¨িāĻˇ্āĻ  āĻĒুāĻ¤্āĻ°। āĻŦেāĻšুāĻ˛া āĻāĻ•āĻœāĻ¨ āĻ¸ুāĻ¨্āĻĻāĻ°ী āĻāĻŦং āĻŦুāĻĻ্āĻ§িāĻŽāĻ¤ী āĻŽāĻšিāĻ˛া āĻšāĻ¯়ে āĻŦেāĻĄ়ে āĻ“āĻ ে āĻāĻŦং āĻ˛āĻ–িāĻ¨্āĻĻāĻ°েāĻ° āĻ¸াāĻĨে āĻŦিāĻŦাāĻš āĻŦāĻ¨্āĻ§āĻ¨ে āĻ†āĻŦāĻĻ্āĻ§ āĻšāĻ¯়। āĻļিāĻŦেāĻ° āĻ­āĻ•্āĻ¤ āĻšাঁāĻĻ āĻ¸āĻ“āĻĻাāĻ—āĻ° āĻ—āĻ°্āĻŦ āĻ•āĻ°েāĻ›িāĻ˛েāĻ¨ āĻ¯ে āĻ¤িāĻ¨ি āĻ¸āĻ°্āĻĒ āĻĻেāĻŦী āĻŽāĻ¨āĻ¸াāĻ° āĻšেāĻ¯়েāĻ“ āĻ…āĻ§িāĻ•āĻ¤āĻ° āĻšাāĻ˛াāĻ• āĻāĻŦং āĻļāĻ•্āĻ¤িāĻļাāĻ˛ী। āĻ¤িāĻ¨ি āĻāĻ‡ āĻŦিāĻļ্āĻŦাāĻ¸ে āĻ˛āĻ–িāĻ¨্āĻĻāĻ°েāĻ° āĻœāĻ¨্āĻ¯ āĻāĻ•āĻŸি āĻĻুāĻ°্āĻ­েāĻĻ্āĻ¯ āĻ˛োāĻšাāĻ° āĻ˜āĻ° āĻ¨িāĻ°্āĻŽাāĻŖ āĻ•āĻ°েāĻ¨। āĻ¤āĻŦে āĻŦেāĻšুāĻ˛া āĻ“ āĻ˛āĻ–িāĻ¨্āĻĻāĻ°েāĻ° āĻŦিāĻ¯়েāĻ° āĻ°াāĻ¤ে āĻŽāĻ¨āĻ¸া āĻ˛āĻ–িāĻ¨্āĻĻāĻ°āĻ•ে āĻšāĻ¤্āĻ¯া āĻ•āĻ°াāĻ° āĻœāĻ¨্āĻ¯ āĻāĻ•āĻŸি āĻ¸াāĻĒ āĻĒাāĻ াāĻ¯়। āĻ¸াāĻĒāĻŸি āĻ¨িāĻœেāĻ•ে āĻ•েāĻļāĻ—ুāĻš্āĻ›েāĻ° āĻŽāĻ¤ো āĻŽিāĻšি āĻ•āĻ°ে āĻ¤োāĻ˛ে āĻāĻŦং āĻāĻ•āĻŸি āĻ•্āĻˇুāĻĻ্āĻ° āĻ—āĻ°্āĻ¤ āĻ¨িāĻ¯়ে āĻ•āĻ•্āĻˇে āĻĒ্āĻ°āĻŦেāĻļ āĻ•āĻ°ে āĻ˛āĻ–িāĻ¨্āĻĻāĻ°āĻ•ে āĻĻংāĻļāĻ¨ āĻ•āĻ°ে। āĻŦেāĻšুāĻ˛া āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻŽৃāĻ¤্āĻ¯ু āĻŽেāĻ¨ে āĻ¨িāĻ¤ে āĻ…āĻ¸্āĻŦীāĻ•াāĻ° āĻ•āĻ°ে। āĻ¸ে āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻŽৃāĻ¤āĻĻেāĻš āĻāĻ•āĻŸি āĻ•āĻ˛াāĻ° āĻ­েāĻ˛াāĻ¯় āĻ°াāĻ–ে āĻāĻŦং āĻĻেāĻŦāĻ¤াāĻĻেāĻ° āĻ†āĻŦাāĻ¸āĻ¸্āĻĨāĻ˛েāĻ° āĻĻিāĻ•ে āĻŦিāĻĒāĻœ্āĻœāĻ¨āĻ• āĻ¯াāĻ¤্āĻ°া āĻļুāĻ°ু āĻ•āĻ°ে। āĻ¸āĻŽāĻ¸্āĻ¤ āĻŦিāĻĒāĻĻ āĻāĻŦং āĻĒ্āĻ°āĻ˛োāĻ­āĻ¨েāĻ° āĻ¸āĻŽ্āĻŽুāĻ–ীāĻ¨ āĻšāĻ“āĻ¯়া āĻ¸āĻ¤্āĻ¤্āĻŦেāĻ“, āĻŦেāĻšুāĻ˛া āĻ¤াāĻ° āĻ¯াāĻ¤্āĻ°া āĻ…āĻŦ্āĻ¯াāĻšāĻ¤ āĻ°াāĻ–ে āĻāĻŦং āĻ…āĻŦāĻļেāĻˇে āĻĻেāĻŦāĻ¤াāĻĻেāĻ° āĻ†āĻŦাāĻ¸āĻ¸্āĻĨāĻ˛ে āĻĒৌঁāĻ›াāĻ¤ে āĻ¸āĻĢāĻ˛ āĻšāĻ¯়। āĻ¸ে āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻœীāĻŦāĻ¨ āĻ•াāĻŽāĻ¨া āĻ•āĻ°েāĻ¨ āĻāĻŦং āĻŽāĻ¨āĻ¸াāĻ•ে āĻĒ্āĻ°āĻ¤িāĻļ্āĻ°ুāĻ¤ি āĻĻেāĻ¯় āĻ¯ে āĻšাঁāĻĻ āĻ¸āĻ“āĻĻাāĻ—āĻ° āĻ¤াāĻ° āĻĒূāĻœা āĻ•āĻ°āĻŦেāĻ¨। āĻ¸্āĻŦাāĻŽীāĻ° āĻĒ্āĻ°āĻ¤ি āĻŦেāĻšুāĻ˛াāĻ° āĻ­াāĻ˛āĻŦাāĻ¸াāĻ¯় āĻ…āĻ­িāĻ­ূāĻ¤, āĻŽāĻ¨āĻ¸া āĻļুāĻ§ু āĻ˛āĻ–িāĻ¨্āĻĻāĻ°āĻ•েāĻ‡ āĻĢিāĻ°িāĻ¯়ে āĻĻেāĻ¯়āĻ¨ি, āĻ¤াāĻ° āĻ­াāĻ‡āĻĻেāĻ°āĻ“ āĻĢিāĻ°িāĻ¯়ে āĻĻিāĻ¯়েāĻ›িāĻ˛ āĻ¯াāĻĻেāĻ° āĻ¸ে āĻ†āĻ—ে āĻšāĻ¤্āĻ¯া āĻ•āĻ°েāĻ›িāĻ˛। āĻŦেāĻšুāĻ˛া āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽী āĻāĻŦং āĻ­াāĻ¸ুāĻ°āĻĻেāĻ° āĻ¸াāĻĨে āĻŦাāĻĄ়ি āĻĢিāĻ°ে āĻ†āĻ¸ে āĻāĻŦং āĻšাঁāĻĻ āĻ¸āĻ“āĻĻাāĻ—āĻ° āĻ…āĻŦāĻļেāĻˇে āĻŽāĻ¨āĻ¸াāĻ° āĻļāĻ•্āĻ¤িāĻ° āĻ¸াāĻŽāĻ¨ে āĻŽাāĻĨা āĻ¨āĻ¤ āĻ•āĻ°েāĻ¨। āĻ˛āĻ–িāĻ¨্āĻĻāĻ° āĻāĻŦং āĻŦেāĻšুāĻ˛া āĻ¤াāĻ°āĻĒāĻ° āĻ…āĻ¨িāĻ°ুāĻĻ্āĻ§ āĻāĻŦং āĻŠāĻˇা āĻšিāĻ¸াāĻŦে āĻ¤াāĻĻেāĻ° āĻ¸্āĻŦāĻ°্āĻ—ীāĻ¯় āĻ†āĻŦাāĻ¸āĻ¸্āĻĨāĻ˛ে āĻĢিāĻ°ে āĻ†āĻ¸ে।

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Read the passage and answer the questions Ecotourism is a booming business that many tour operators cite as being helpful to nature.(āĻĒāĻ°িāĻŦেāĻļāĻŦাāĻ¨্āĻ§āĻŦ āĻĒāĻ°্āĻ¯āĻŸāĻ¨ āĻļিāĻ˛্āĻĒ āĻāĻ•āĻŸি āĻĻ্āĻ°ুāĻ¤ āĻ¸āĻŽৃāĻĻ্āĻ§িāĻŽāĻ¯় āĻŦ্āĻ¯āĻŦāĻ¸া āĻ¯া āĻĒāĻ°্āĻ¯āĻŸāĻ¨ āĻĒāĻ°িāĻšাāĻ˛āĻ¨াāĻ•াāĻ°ীāĻŦৃāĻ¨্āĻĻ āĻĒ্āĻ°āĻ•ৃāĻ¤িāĻ° āĻœāĻ¨্āĻ¯ āĻ¸āĻšাāĻ¯়āĻ• āĻŦāĻ˛ে āĻ†āĻ–্āĻ¯াāĻ¯়িāĻ¤ āĻ•āĻ°েāĻ¨) Every year, millions of people descend on protected and pristine natural areas to observe rare species. (āĻĒ্āĻ°āĻ¤ি āĻŦāĻ›āĻ°, āĻ˛āĻ•্āĻˇ āĻ˛āĻ•্āĻˇ āĻŽাāĻ¨ুāĻˇ āĻĻুāĻ°্āĻ˛āĻ­ āĻĒ্āĻ°āĻœাāĻ¤িāĻ° āĻĒ্āĻ°াāĻŖীāĻ—ুāĻ˛োāĻ•ে āĻĻেāĻ–āĻ¤ে āĻ¸ংāĻ°āĻ•্āĻˇিāĻ¤ āĻāĻŦং āĻŦিāĻļুāĻĻ্āĻ§āĻ¤া āĻŦিāĻ°াāĻœāĻŽাāĻ¨ āĻ†āĻ›ে āĻāĻŽāĻ¨ āĻĒ্āĻ°াāĻ•ৃāĻ¤িāĻ• āĻ…āĻž্āĻšāĻ˛ āĻ­্āĻ°āĻŽāĻŖ āĻ•āĻ°ে āĻĨাāĻ•ে।) However, a new report casts doubt on the value of this form of tourism.(āĻ¯াāĻšোāĻ•, āĻāĻ•āĻŸি āĻ¨āĻ¤ুāĻ¨ āĻ§āĻ°āĻŖেāĻ° āĻĒāĻ°্āĻ¯āĻŸāĻ¨েāĻ° āĻ‰āĻĒāĻ•াāĻ°িāĻ¤াāĻ•ে āĻ¸āĻ¨্āĻĻেāĻšেāĻ° āĻ¨āĻœāĻ°ে āĻĻেāĻ–āĻ›ে।) In fact, it suggests that ecotourism is more damaging than helpful to nature. (āĻŦাāĻ¸্āĻ¤āĻŦে, āĻāĻŸি āĻĒāĻ°াāĻŽāĻ°্āĻļ āĻĻিāĻš্āĻ›ে āĻ¯ে āĻĒāĻ°িāĻŦেāĻļāĻŦাāĻ¨্āĻ§āĻŦ āĻĒāĻ°্āĻ¯āĻŸāĻ¨ āĻļিāĻ˛্āĻĒ āĻĒ্āĻ°āĻ•ৃāĻ¤িāĻ° āĻœāĻ¨্āĻ¯ āĻ¸āĻšাāĻ¯়āĻ•েāĻ° āĻšেāĻ¯়ে āĻ…āĻ§িāĻ•āĻ¤āĻ° āĻ•্āĻˇāĻ¤িāĻ•āĻ°।) Details are in a report published in the journal Trends in Ecology and Evolution’. (‘āĻŸ্āĻ°েāĻ¨্āĻĄāĻ¸ āĻ‡āĻ¨ āĻ‡āĻ•োāĻ˛āĻœি āĻ…্āĻ¯াāĻ¨্āĻĄ āĻ‡āĻ­োāĻ˛িāĻ‰āĻļāĻ¨’ āĻ¸াāĻŽāĻ¯়িāĻ• āĻĒāĻ¤্āĻ°িāĻ•াāĻ¯় āĻĒ্āĻ°āĻ•াāĻļিāĻ¤ āĻāĻ•āĻŸি āĻĒ্āĻ°āĻ¤িāĻŦেāĻĻāĻ¨ে āĻŦিāĻ¸্āĻ¤াāĻ°িāĻ¤ āĻŦāĻ˛া āĻšāĻ¯়...

Write a paragraph on Pahela Baishakh āĻĒāĻšেāĻ˛া āĻŦৈāĻļাāĻ–

Write a paragraph on Pahela Baishakh (āĻĒāĻšেāĻ˛া āĻŦৈāĻļাāĻ–) Pahela Baishakh Pahela Baishakh is the part of our culture. It is the first day in Bangla calendar. This day is celebrated throughout the country. The main programme of this day is held in Ramna Botamul. Different socio-cultural organizations celebrate this day with due solemnity. People of all sorts of ages and lives attend this function. Colourful processions are brought out. Watery rice and hilsha fish are served during this function. Women and children put on traditional dresses. The whole country wears a festive look. Different cultural programmes are arranged where singers sing traditional bangla songs. Discussion meetings are held. Radio and television put on special programmes. Newspapers and dailies publish supplementary. Fairs are held here and there on this occasion. Shopkeepers and traders arrange ‘halk hata’ and sweet-meats are distributed. In villages, people go to others’ houses and exchange greetings. Thus Pahela Baisha...